“In reflecting on the honour that the Ghent Film Festival has paid me this year, I’ve looked back at the random path that’s brought me here. It had never been my intention to be a composer of film scores – or a composer at all. But after Joel and Ethan Coen bestowed that title on me with the film ‘Blood Simple’, and then asked me to write an orchestral score for ‘Miller’s Crossing’ (knowing perfectly well I had no experience doing that), I began to believe that I was in some sense a composer and have tried to be worthy of that title.
A film composer is two things: a composer and a filmmaker. It’s not easy to separate these two things, and I generally find it off-putting to take the music, written for particular characters, particular dialogue, particular action, out of its context for performance on its own. In the case of the compositions presented here, I’m endlessly grateful to Dirk Brossé and the Brussels Philharmonic for giving the music its own life.” – Carter Burwell
1. Miller’s Crossing End Credits (From “Miller’s Crossing”)
2. Fargo, North Dakota (From “Fargo”)
3. The Spanish Prisoner (From “The Spanish Prisoner”)
4. Friend? (From “Gods and Monsters”)
5. Puppet Love (From “Being John Malkovich”)
6. The Trial of Ed Crane (From “The Man Who Wasn’t There”)
7. Prologue / Medieval Waters (From “In Bruges”)
8. Bella’s Lullaby (From “Twilight”)
9. A Serious Man (From “A Serious Man”)
10. River Crossing / Talk About Suffering / The Wicked Flee (From “True Grit”)
11. Mildred Pierce Opening Titles (From “Mildred Pierce”)
12. Olive Opening (From “Olive Kitteridge”)
13. Opening (From “Carol”)
14. Anomalisa Overture (From “Anomalisa”)
15. Flags and Steeples (From “The Founder”)
16. 5 A.M. / Hail, Caesar! (From “Hail, Caesar!”)
17. Drawing Pooh (From “Goodbye Christopher Robin”)
18. Silent Whispers / Little Girl, Big City (From “Wonderstruck”)
19. My Dear Anne / Billboards on Fire (From “Three Billboards Outside Ebbing, Missouri”)